Date

1995

Medium

Paint on vinyl

Homelike

Why Painting : in the shadows of California, searching for light.

Heimlich is a German word that means familiar, homely, or intimate, but it also has a secondary meaning of something concealed or kept secret. Sigmund Freud explored the dual nature of this term in his essay "The Uncanny," where he contrasted it with "unheimlich," which refers to the uncanny or unfamiliar aspects of the familiar. I look to my immediate surroundings of Los Angeles and Hollywood for inspiration. Getting a contact high from the liberal arts scene, tuning in on alternative frequencies. A signal of an idea started to materialise. For me, the 90s were soaked in 80s nostalgia, searching desperately for an identity, and getting lost in the marketplace. I try to make art inspired from my experience and what it means to be alive today, whether I am out shopping, looking at old photographs, sitting in my car stuck in traffic, driving home after surfing, listening to music. Searching for new or different ways to paint, new possibilities were found painting on stretched vinyl, transparent plastic vinyl. I found that the slick surface created a separation from traditional canvas. The transparency allows for light to pass and I like that demystifying of the tradition of painting, less than heroic. Depicted are references to architecture, furniture and appliances. They stand in for the everyday object.

Large Project Gallery Image #1
Large Project Gallery Image #1
Large Project Gallery Image #1
Large Project Gallery Image #2
Large Project Gallery Image #2
Large Project Gallery Image #2

These paintings look like appliances, televisions, microwaves, stereos, speakers. These are things around my home. I wanted to make art out of everyday objects.

Project Gallery Image for 50% width of the screen #1
Project Gallery Image for 50% width of the screen #1
Project Gallery Image for 50% width of the screen #1
Project Gallery Image for 50% width of the screen #2
Project Gallery Image for 50% width of the screen #2
Project Gallery Image for 50% width of the screen #2
Large Project Gallery Image #3
Large Project Gallery Image #3
Large Project Gallery Image #3

A building, a repetition of shapes, a surface on top of a structure. Graphic design grids help with alignment and structure, repeated rectangles, over and over. Painting is all about egdes and edges are a means of control. What would happen if everything was the same shape and size and repeated till infinity? I'm discovering what happens when using water-based paints on the surface, whether front or backside.

Large Project Gallery Image #4
Large Project Gallery Image #4
Large Project Gallery Image #4

I think of this as an exploding flower, beautiful, fragile and being destroyed in a decorative way. The term "Still Life" in french is translated as dead nature. There is darkness in beauty, decay is inherent and death is part of it. Destruction is part of our daily lives now, it wasn't when I painted this, not in my californian bubble. I have anxiety about something to come, dark forces, shifting natures and fragile systems being destroyed and I need to find means to express that.

I think of this as an exploding flower, beautiful, fragile and being destroyed in a decorative way. The term "Still Life" in french is translated as dead nature. There is darkness in beauty, decay is inherent and death is part of it. Destruction is part of our daily lives now, it wasn't when I painted this, not in my californian bubble. I have anxiety about something to come, dark forces, shifting natures and fragile systems being destroyed and I need to find means to express that.

  • The image featured in the carousel #1

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